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2011-?
quantum antimatter and stuff like that (hipstographs)
hipstograph [hip-stə-graf] (n) : a picture or likeness
obtained with an iPhone Hipstamatic.
hipstography
[hip-stä-grə-fē] (n) : the art or process of producing
images with the iPhone Hipstamatic.
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2009
ordinary
thing nirvana; monumental things
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2009
this
place is almost certainly "looked through" as the people
pass through it. this place is a temple, it is
superman's phone booth, it is a brain shutdown chamber, it
is a place of hard physical tests, it is meditative, a void
between moments, a place of seeming visual order and
recklessness simultaniously, a calm place between worlds, a
place where lives transition and pause, a place where one
contemplates the next move, a place where some take
themselves to another level or just meditate on the echo of
their steps...a sound that reaffirms that they are indeed
going somewhere...or just going home at last.
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2009
the
database programmer/developer as the skilled blue collar
factory line worker of a different age.
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2008
a
meditation (from the 10,000 foot view of today) on the
evolution of how we think about the way we store and
communicate information, it's influence on that information
itself, the affect that the method of storage/communication
of that information has on what we have to say to eachother
and to those who will come after we are gone. how it
affects the way we feel about the increasingly sterile and
scientific way in which we store and share information today
and tomorrow. a look at the obvious loss of the life,
the warmth, and the art of the way information once appeared
into the realm of information storage and communication.
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2008
electrical
light has become a presence in and of itself...and an equal,
perhaps, to the presence of natural light.
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2007
various
observations.
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2006
and then
whole new perspectives on the relativity of things that
happen, between things that are felt.
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2006
panoramized
emotional notes.
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![iteration[1]](images/site_stuff/thumbnails/20_small.jpg)
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2002
various
notes using three sets of self-inflicted visual constants.
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1999
the
overlaps and intersections, and the mimicry in the fusion of
the organic and the machine worlds.
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